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Between the Lines
by Hamish Blakely
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Reminiscent of changing times, ‘Between the Lines’ begs the viewer to create a backstory for the two young women who challenge us with the new-found feminine confidence of the post-Great War period. For those interested in the flapper culture or the strong female leads in ‘Downton Abbey’, Hamish Blakeley captures the spirit of a bygone, but increasing modern, era. Unique in having never gone to print, this original was painted in 2007 as part of Blakely’s collection of 1920s female protagonists.
Stunning original. Customer Sale. Contact us to arrange a viewing. Please note image size includes frame.
Oil on Canvas
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We aim to deliver products as fast as possible. All in stock items will normally be delivered within four to five working days. For items which are available, but not currently in stock, we will contact you as soon as we can with an expected delivery date, but this is usually within ten working days unless framing is required.
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I come from a theatrical background. I'm half Irish and my childhood home was a place where extraordinary things happened. It was an environment where my brothers and I seemed bound to do something unusual. I'm very grateful for that.
Drawing was the original expression. I would draw an awful lot, trying to emulate other artists, to understand how they created what they did; but sketching it was and remained to be, until I found the mettle to use colour. This happened long before I studied at Wimbledon School of Art and Kingston University. Having stubbornly lived in the world of black and white, I finally made myself paint - all exuberant enthusiasm and no clear direction. However, I had a breakthrough when I was 18 years old. I had painted for some time by then, but this was the first time I had made a painting so seriously, with no experimentation, just care and an urgent responsibility to get it right. It was a portrait of my Dad, and without sign or suggestion, I leapt years ahead to produce something my 18 years could have thwarted. This was the turning point. It was no longer a case of just loving painting, but realising that I could be good at it.
It changed everything. Painting replaced drawing completely. I only drew again at college and again, gave it up when I left. I think that I had spent so much time making preliminary studies with pencil or charcoal, opposing the commitment of using colour, I now paint immediately, considering preparatory sketches unnecessary.
I became an illustrator shortly after leaving college and received a national award. The need to tackle an unlimited range of subject matter, was a very useful experience. I learned a lot in painting what I did not want to, as well as what I loved.
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THE HAWTHORN GALLERY
An independent fine art gallery, family owned and family run, operating from the historic Hare & Hounds pub in Stalybridge, which has been sympathetically converted into a unique gallery experience.