Peter passed away in 2009. Peter Brook was born in the winter of 1927 in the Pennine village of Scholes near the 'summer wine' county of Holmfirth. His parents were farmers initially and Peter grew up among milk carts, helping with the haymaking and drinking ginger beer made by his grandmother. Both winter and the Pennines would continue to play a large part in this Yorkshire painter’s life. Peter passed away in 2009. Peter was educated at Barnsley Grammar School before moving on to teacher training at Goldsmiths College, part of London University, where he visited exhibitions and galleries whilst also attending evening classes in life drawing. After two years in the RAF Peter returned to Yorkshire where he became a teacher in Rastrick, near Brighouse, West Yorkshire. There he married Molly. In Brighouse he found everything he needed to test his skills and start his life in art: its factories, stone built houses, colours, shapes and people. Initially he used thick paints, but this didn't give him the effect he wanted. This came when he began to mix very fine sandstone from a nearby quarry into the paint for the buildings, which gave them more substance and more power and was contrasted with his smooth sky lines which might be made using rags, rollers or his fingers. In 1960 Peter had his first one man exhibition at the Wakefield City Art Gallery. It was a success and was favourably reviewed in The Times. By 1962 Peter had been elected a member of the Royal Society of British Artists. Now he was teaching at Sowerby Bridge Grammar School, building up a successful art department, taking pupils out to draw the surrounding country: 'if you want a subject, look around you'. Two very successful exhibitions in the Queens Square Art Gallery, Leeds in the mid sixties were followed by another show at the University of York in 1968. Peter would say that 'All the time there have been places that caught my imagination, places that I feel very strongly about that I've had to paint'. However, like other great artists Peter wasn't about to stand still and continue to paint the same images in the same style. Having discovered a set of old victorian photographs of Yorkshire he was inspired by the possibilities these offered. He loved the print-like quality, a process that interested him. Thick paint was replaced by much thinner paint with smooth finishes but the paintings had great depth and interest. For Peter the title is very much an important part of the painting, adding poetry and humour to the paintings whilst also making the observer think, as the title may not always be obvious when first looking at the painting.